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Reed, S. Alexander
Assimilate : a critical history of industrial music / S. Alexander Reed
Production, publication, distribution, manufacture, copyright New York : Oxford University Press, [2013]
book jacket
Location Call Number Status
 4th Floor  ML3528.7 .R44 2013    DUE 09-20-14 OFF CAMPUS
Subject(s) Industrial music -- History and criticism
Industrial music -- Social aspects
Physical Description xiv, 361 pages : illustrations ; 25 cm
Note Includes bibliographical references (pages 321-331), and index
Contents I. Technology and the preconditions of industrial music. -- Italian futurism -- William S. Burroughs -- Industrial music and art music -- II. Industrial geography. -- Northern England -- Berlin -- San Francisco -- Mail art, tape technology, and the network -- III. Industrial musical style. -- The tyranny of the beat : dance music and identity crisis -- "After cease to exist" : England 1981-1985 -- Body to body : Belgian EBM 1981-1985 -- Industrial music as a theater of cruelty -- "She's a sleeping beast" : Skinny Puppy and the feminine gothic -- IV. Industrial politics. -- Back and forth : industrial music and fascism -- White souls in black suits : industrial music and race -- V. People and industrial music. -- Wild planet : WaxTrax! Records and global dance scenes -- Q: Why do we act like machines? A: We do not. -- Death -- Wonder
NOTE 537547

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