Mardigian Library
Ask a QuestionMy Library Account
Search Library Catalog - Books, DVDs & More
Limit to available
More Searches
   
Limit results to available items
Find more results:
Search MelCat
More Information
  
880-01 Chō, Kyō, 1953-
880-02 Bijo to wa nani ka. English
The search for the beautiful woman : a cultural history of Japanese and Chinese beauty / Cho Kyo ; translated by Kyoko Selden
Lanham, Md. : Rowman & Littlefield, c2012
book jacket
Location Call Number Status
 3rd Floor  HQ1220.J3 C5313 2012    AVAILABLE
Subject(s) Feminine beauty (Aesthetics) -- Japan -- History
Feminine beauty (Aesthetics) -- China -- History
Women in art
Women in literature
Women -- Japan -- Social conditions -- History
Women -- China -- Social conditions -- History
Physical Description xiii, 287 p. : ill. ; 24 cm
Note 880-03 Translation of: Bijo to wa nani ka : Nitchū bijin no bunkashi. 2001
Language Translated from the Japanese
Note Includes bibliographical references (p. 277-279) and index
Contents Prologue : The search for the beautiful woman -- Favored appearances -- Feared beauties -- The rhetoric of representation -- Beauty as a construct -- Beautiful women in Chinese verse and prose, beauties in Japanese literature -- Resonance of aesthetic views -- Edo culture as a filter -- Until Naomi was born -- Epilogue : Where beauty will go
Summary While a slender body is a prerequisite for beauty today, plump women were considered ideal in Tang Dynasty China and Heian-period Japan. Starting around the Southern Song period in China, bound feet symbolized the attractiveness of women. But in Japan, shaved eyebrows and blackened teeth long were markers of loveliness. For centuries, Japanese culture was profoundly shaped by China, but in complex ways that are only now becoming apparent. In this first full comparative history of the subject, Cho Kyo explores changing standards of feminine beauty in China and Japan over the past two millennia. Drawing on a rich array of literary and artistic sources gathered over a decade of research, he considers which Chinese representations were rejected or accepted and transformed in Japan. He then traces the introduction of Western aesthetics into Japan starting in the Meiji era, leading to slowly developing but radical changes in representations of beauty. Through fiction, poetry, art, advertisements, and photographs, the author vividly demonstrates how criteria of beauty differ greatly by era and culture and how aesthetic sense changed in the course of extended cultural transformations that were influenced by both China and the West
NOTE 521700
Series Asia/Pacific/perspectives
Alternate Author Selden, Kyoko Iriye, 1936-2013.

Mardigian Library, 4901 Evergreen Rd.
Dearborn, MI 48128-1491 313-593-5400 fax 313-593-5561
ask-a-question@umd.umich.edu
The Regents of the University of Michigan | Non-Discrimination Policy
Copyright © The University of Michigan - Dearborn • 4901 Evergreen Road • Dearborn, Michigan 48128 • 313-593-5000
The University of Michigan - Ann Arbor | The University of Michigan - Flint | SITEMAP | DIRECTORY | CONTACT