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Van Es, Bart
Shakespeare in company / Bart van Es
1st ed
Oxford : Oxford University Press, 2013
book jacket
Location Call Number Status
 4th Floor  PR2900 .V36 2013    AVAILABLE
Gift from Diane Hazen, 2013
Subject Shakespeare, William, 1564-1616 -- Friends and associates
Shakespeare, William, 1564-1616 -- Criticism and interpretation
Physical Description xii, 357 p. : ill., maps ; 25 cm
Note "This book is about two very different kinds of company. On the one hand it concerns Shakespeare's poet-playwright contemporaries, such as Marlowe, Jonson, and Fletcher. On the other, it examines the contribution of his fellow actors, including Burbage, Armin, and Kemp. Traditionally, criticism has treated these two influences in separation, so that Shakespeare is considered either in relation to educated Renaissance culture, or as a man of the theatre. Shakespeare in Company unites these perspectives. Bart van Es argues that Shakespeare's decision, in 1594, to become an investor (or 'sharer') in the newly formed Chamberlain's acting company had a transformative effect on his writing, moving him beyond the conventions of Renaissance dramaturgy. On the basis of the physical distinctiveness of his actors, Shakespeare developed 'relational drama', something no previous dramatist had explored. This book traces the evolution of that innovation, showing how Shakespeare responded to changes in the personnel of his acting fellowship and to competing drama, such as that produced for the children's companies after 1599. Covering over two decades of theatrical history, van Es explores the playwright's career through four distinct phases, ending on the conditions that shaped Shakespeare's late style. Paradoxically, Shakespeare emerges as a playwright unique 'in company'--special, in part, because of the unparalleled working conditions that he enjoyed."--Dust jacket
Includes bibliographical references (p. [315]-342) and index
Contents Prologue : Shakespeare's early life and the origins of commercial theatre (1576-1592) -- Phase I Shakespeare as conventional poet-playwright (1592-1594) -- Imitation and identity -- The working conditions of the playwright -- Shakespeare as literary dramatist -- Phase II Shakespeare as company man (1594-1599) -- Control over casting -- The events of 1594 -- Relational drama -- Shakespeare's singularity -- Phase III Shakespeare as playhouse investor (1599-1608) -- The Globe partnership -- Robert Armin -- The children's companies -- Richard Burbage -- Phase IV Shakespeare in the company of playwrights again (1608-1614) -- The events of 1608 -- Shakespeare's late style -- Shakespeare and co-authorship
NOTE Gift from Diane Hazen, 2013
Alternate Author Library donation, 2013

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