Mardigian Library
Ask a QuestionMy Library Account
Search Library Catalog - Books, DVDs & More
Limit to available
More Searches
Limit results to available items
Find more results:
Search MelCat
More Information
Weinfield, Henry, author
The blank-verse tradition from Milton to Stevens : freethinking and the crisis of modernity / Henry Weinfield, University of Notre Dame
Alternate Title Freethinking and the crisis of modernity
Cambridge : Cambridge University Press, 2012, ©2012
book jacket
Location Call Number Status
 4th Floor  PR509.B53 W45 2012    AVAILABLE
Subject(s) Blank verse, English -- History and criticism
Physical Description x, 254 pages ; 24 cm
Note Includes bibliographical references (pages 237-247) and index
Contents Introduction: blank-verse freethinking and its opponents -- 1. 'In wand'ring mazes lost': skepticism and poetry in Milton's infernal conclave -- 2. 'With serpent error wand'ring found thir way': Milton's counterplot revisited -- 3. 'Man's mortality': Milton after Wordsworth -- 4. 'These beauteous forms': 'Tintern Abbey' and the post-Enlightenment religious crisis -- 5. 'Knowledge not purchased by the loss of power': Wordsworth's meditation on books and death in Book 5 of The Prelude -- 6. 'Who shall save?' Shelley's quest for the Absolute in A Defence of Poetry and Alastor -- 7. Keats and the dilemmas of modernity in the Hyperion poems -- 8. 'Of happy men that have the power to die': Tennyson's 'Tithonus' -- 9. Stevens' anatomy
Summary "Blank verse, unrhymed iambic pentameter, has been central to English poetry since the Renaissance. It is the basic vehicle of Shakespeare's plays and the form in which Milton chose to write Paradise Lost. Milton associated it with freedom, and the Romantics, connecting it in turn with freethinking, used it to explore change and confront modernity, sometimes in unexpectedly radical ways. Henry Weinfield's detailed readings of the masterpieces of English blank verse focus on Milton, Wordsworth, Shelley, Keats, Tennyson and Stevens. He traces the philosophical and psychological struggles underlying these poets' choice of form and genre, and the extent to which their work is marked, consciously or not, by the influence of other poets. Unusually attuned to echoes between poems, this study sheds new light on how important poetic texts, most of which are central to the literary canon, unfold as works of art"-- Provided by publisher

Mardigian Library, 4901 Evergreen Rd.
Dearborn, MI 48128-1491 313-593-5400 fax 313-593-5561
The Regents of the University of Michigan | Non-Discrimination Policy
Copyright © The University of Michigan - Dearborn • 4901 Evergreen Road • Dearborn, Michigan 48128 • 313-593-5000
The University of Michigan - Ann Arbor | The University of Michigan - Flint | SITEMAP | DIRECTORY | CONTACT